Wednesday, January 4, 2012

Similarities Between PT Anderson's "Hard Eight" and "There Will Be Blood"d

As an amateur director I look for other filmmakers that inspire me or teach me or interest me. The most obvious modern director that I look to for this is none other than Paul Thomas Anderson. His films are so beautifully crafted - from his camera setups, his editing style, his storytelling process and his soundtracks - that each time I watch them I find something new and interesting. As a fan of his I have noticed, and others have as well, that he has grown so much from film to film. His first film, Hard Eight, is a low budget drama with only 8 speaking roles. His latest film, There Will Be Blood was a monumental achievement about fatherhood, capitalism, religion and the Industrial Revolution. These films seem to be extremely different in almost every category. But if you look closely you can see how he has engineered a very similar structure to both of these films. What this article will aspire to accomplish is proving that a story line can be slightly tweaked and altered to add depth and thematic ideas. What is amazing is how much PT has grown from Hard Eight to There Will Be Blood and how everything we thought PT Anderson could do was thrown upside down. So here are the similarities:

A Son Without A Father
In Hard Eight, John C. Reilly has lost his mother by the beginning of the film. We also learn that his father was killed. The man who has become the father figure in his life is played by Philip Baker Hall. We learn that Hall's character killed Reilly's father in Atlantic City years ago. So the fact that Hall has somewhat adopted Reilly's character is fueled somewhat through guilt. This fact is never revealed to Reilly's character, only to the audience.
In There Will Be Blood, HW has lost his father by the beginning of the film. His father was in an oil well with Daniel Plainview when an accident happened and by some strange occurrence HW's father was killed and Plainview went unharmed. So Plainview takes the child in as his own and we must determine why he did this throughout the movie. The most obvious reason would be like in Hard Eight, guilt. But there is more going on, maybe he is using the child to woo the prospective customers into letting him drill on their land. Either way these films are almost identical within this relationship. The only difference is PT uses this secret in TWBB to have an emotionally powerful scene towards the end when Plainview confesses to HW. Whereas in Hard Eight the secret is used more as subtext within the drama.

Father Teaches the Scam
In both movies the father teaches the son ways to take advantage of the system that they happen to be part of. In Hard Eight Hall's character teaches Reilly's character how to use rate cards to take advantage of the casino. By doing so Reilly gets a free hotel room and bed. In There Will Be Blood Plainview is teaching HW how to negotiate oil deals and eventually HW is negotiating his own deals. Obviously they are both completely different but both have a sense of dishonesty and once again the example in TWBB is more powerful.

The Accident That Changes Everything
In Hard Eight there is an overwhelming dramatic scene in which Reilly's character has kidnapped and beaten a man. Within this scene, which is about 15 minutes long, each character has an emotional breakdown. The father figure calls Reilly's character a dumb whore and seems to have reverted back to the gangster he once was. The resolution of the scene leads to Sam Jackson's character taking advantage of information he has on Hall's character. It also leads to Reilly's character and his wife leaving town. Sam Jackson will use this information to blackmail Hall's character.
In There Will Be Blood an equally affecting scene happens when an oil rig explodes while HW is on top of it. Plainview rushes to help his child only to eventually leave him in HW's time of desperation to look on the oil that will make him rich. He reverts to the slimy business man we always knew he was, completely tossing aside his son. The resolution of the scene leads to him sending HW away which leads to the preacher character having this information to blackmail Plainview into joining his church. You can see the similarities and I hope you don't think I'm stretching because it seems rather obvious. The accident is a tool that a lot of screenwriters use as plot points to push the story. PT just happens to use this same idea, only expanding on it somewhat with more nuance and depth in TWBB. The other difference, which is one of many reasons I love TWBB is that in that film the accident is a freak of nature, a random occurrence that seems to happen all the time around oil wells and especially around Plainview. Whereas in Hard Eight we don't see the accident and it happens out of stupidity.

Girls
In both films the son falls in love with a blond, emotionally distant female. Obviously that seems strange from TWBB because that female is a young girl but she is obviously going through some shit at home. In both instances the female's seem to really admire and love the father figure as well as the son. Eventually both females take the son from the father. Only in Hard Eight Hall's character seems fine with this and in TWBB Plainview is not fine with this, in fact he is is furious over the loss of his son.

I Got You, You Got Me, I Got You
In Hard Eight Philip Baker Hall's character doesn't like Sam Jackson's character from the moment they meet. He doesn't like how much influence he has over Reilly's character. He makes Jackson feel small and insignificant. So Jackson then blackmails Hall using information and a gun. He holds him hostage for some time while Hall tries to get money. But once Jackson gets what he wants Hall gets the last laugh when he kills Jackson.
In There Will Be Blood Plainview doesn't like the preacher from the moment they meet. He doesn't like how much influence he has over the community. He makes the preacher feel like a fraud and insignificant. So the preacher then blackmails Plainview using information he has on a murder and then in church he uses the fact that Plainview abandoned his son to get him to break down in front of everyone at the the church. But once the preacher gets what he wants Plainview gets the last laugh when he kills the preacher. The fact that PT uses a 20 year span between incident adds to the drama at the end.

There Will Be blood
The ending to each movie is extremely similar in context. Hard Eight ends with Hall's character killing Jackson's character. The last shot is Hall sitting on a chair contemplating what he has done. There Will Be Blood ends in much more glory with the famous milkshake line and the third revelation rant and eventually chasing the preacher around a bowling alley. He eventually beats him over the head with a bowling pin. One is cold blooded, calculated, the other is emotional and self destructive. They both end with each character killing their nemesis and then contemplating what has happened. The differences are obvious. There Will Be Blood is grandiose in it's ending, Hard Eight is quiet and contemplative. But that is the growth in PT Anderson. He has the same basic constructs of an ending only he morphs from a small exciting moment into a large monumental scene of insanity which has been talked about ever since TWBB was released.

It is a great exercise to see these similarities because within them you can see the differences that matter, and the execution and added direction that makes each different and yet the same. I hope people have gotten something out of these comparisons. If anyone has any more similarities please post them.

Most Anticipated Films of 2012

2012 is shaping up to be the most memorable in quite some time. With some big sequels, some new and exciting directors taking shape, and some well established directors getting their due. This list takes some liberty with the release schedule because so many have yet to be announced for the year.

18. Argo - Dir Ben Affleck

17. Haywire - Steven Soderbergh

16. Magic Mike

15. Mud - Jeff Nichols

14. The Wettest Country - John Hillcoat

13. Creed of Violence - Todd Field

12. The Hobbit

11. Cogan's Trade - Andrew Dominik

10. The Burial - Terrence Malick

9. Looper - Rian Johnson

8. Only God Forgives - Nicholas Winding Refn

7. Inside Llewyn Davis -Coen Brothers

6. Gravity - Alfonso Cuaron

5. The Dark Knight Rises - Chris Nolan

4. Moonrise Kingdom - Wes Anderson

3. Prometheus - Ridley Scott

2. Django Unchained - Tarantino

1. The Master - Paul Thomas Anderson


Tuesday, January 3, 2012

The 2011 Year in Review

2011 Film Review -
This year started off with an absolute thud. For the first four months there was absolutely no film released that was worth a damn. Then we got a couple excellent films and then the summer hit and then fall came around and now it's just like any other year: It starts out like a wilderbeast looking to take a dump and ends with a massive flying rhino type wilderbeast flying through the air humming Beck. So basically I think the year has been pretty good. I have yet to see Take Shelter, Tinker Tailor Soldier Spy or Ides of March so my lists may be somewhat lacking. There is no absolute best film of the year, no clear cut I should say, like last year. These lists should really just be entertaining to see what other people thought of the year. I believe that some movies will benefit from being on this list, if only for the handful of people who care what I have to say.

Best Films of the Year
15. The Girl With The Dragon Tattoo
Minor Fincher. Why he did this is beyond me, the only obvious thing would be a cash grab, but I won't judge the man. Although he is doing 30,000 leauges under the sea so we could be seeing the last of the Zodiac/Social Network Fincher. This is an extremely well crafted thriller, with some great acting. The story is sensational, and it is not all that original, that is to say it's somewhat of a run-of-the-mill serial killer movie. What Fincher brings to it is a very good investigation aspect and a tone that is lacking from the first. Rooney Mara is the film though, she is the reason that this movie is one of the years best and that is because of Fincher's devotion to her and his own style of directing.

14. Hanna
What can you say, it's a fairytale with guns. It's fun, which is something this year definitly had, a lot of fun movies. The movie is great to look at and the scenes with the family that she runs with are a lot of fun.

13. Midnight in Paris
Woody Allen is Owen Wilson is Woody Allen is seeing Ernest Hemingway and is banging Rachel McAdams. This movie is great if you're an literature fan, although if you're not I don't know how well this movie will work for you. But I loved the two hours I got to spend with this nice movie.

12. The Adventures of Tin Tin
This is an adventure. And we don't get adventure films anymore. I love set pieces and Spielberg does them brilliantly. Watching this film is like watching the ambitions of every big budget summer blockbuster. But their ambitions are never even close to reaching Spielberg's minor work, which this is but it is still better than most of the action movies that come out on a yearly basis.

11. Attack The Block
Alien invasion at it's finest. Funny, exciting, beautiful, fast paced. It's going to be watched by me probably 100 times before I turn 40.

10. Rango
Same thing as Attack the Block. The animation is great and the humor is perfect. Lot's of references, lots and lots. Once Upon a Time in The West's score is one the best.

9. Moneyball
Well exucuted, well acted. The first movie that I realized that Brad Pitt can be an actual "actor." I'm really excited to see Bennett Miller's career. He seems to be great with slow building dramas and has a knack for pulling out performances.

8. A Dangerous Method
Cronenberg delivers what he has for the last 30 years, but not really. It is so subtexted and so brilliantly directed that after repeat viewings I think this will hold up as one of his best.

7. Contagion
So perfectly crafted. Get some hand sanitizer afterwords, trust me.

6. Meek's Cutoff
The best film Reickhardt has done. I can't wait to watch it on Blu Ray. Meek is a genius, in my opinion. It starts out quite slow but once you get into the rhythm it is an excellent thriller, set in the west.

5. The Descendants
I think the movie is not perfect and it may be trying too hard at points but the emotional response is overwhelming and the last half hour is really something amazing. I like everything Alex Payne has done and he continues to hone his own brand of filmmaking, which is not flashy but very poignant.

4. Shame
Steve McQueen will be the best director working in about 4 years. Trust me, he has something special. If you see this movie try to think about it as a study in self destruction not sex addiction. This movie may be looked back on in 10 years as one of the best of the decade and a turning point for the independent film scene.

3. The Tree Of Life
Yes there are some problems with the movie but it is so ambitious and so monumental in it's scope that I litterally felt like I was jabbed over the head after watching it. In a good way. The existential aspect of the film is what makes it so interesting to watch and that mix with the images is what will make it hold up over time.

2. Hugo
Scorsese is back baby, this is his best movie sense maybe After Hours. "Fun" is a word I would use to describe this movie but it really has so much depth that it transcends fun. The craft of the movie is also something to behold, I hope many children love this and find a way into film through the magic of this movie.

1. Drive
The best movie this year. It's got ambition, and it's got execution. It is so original in an unoriginal package(heist/gangster movie). I just can't think of a movie where I felt the power of the cinema more. Yes Tree of Life has dinosaurs and a beautiful score but Drive has such a flawlessly executed hour and a half that I never realized I was in a theatre. There is not a lot said for the last five minutes but it truly is astounding. As is the direction, the acting and the soundtrack. I mean the title track that is used twice is so original and different and strange and bold. I just love the movie and watching this on Blu Ray is my most anticipated release for 2012.

Honorable Mentions:
Win Win. Super 8. Page One: Inside the New York Times. Senna. ROTPOTA. Earth liberation Front. Film Socialism. Young Adult. Mission Impossible - Ghost Protocol.

Best Performances

1. Michael Fassbender - Shame/XMen/A Dangerous Method/Jane Eyre

2. George Clooney- The Descendants

3. Charlize Theron - Young Adult

4. Rooney Mara - The Girl With The Dragon Tattoo

5. Brad Pitt - Moneyball/The Tree of Life